Pottery vs the Economy: Why a Handmade Mug Costs $65

“Sixty-five dollars for a mug?”

It’s the question potters rarely hear said aloud, but often feel lingering in the air. And if you’ve ever sat across from an artist at their market stall or open studio, you’ll know that nothing makes them squirm quite like being asked to justify their pricing.

Here’s the truth: every artist I know wrestles with this. Pricing isn’t pulled from the air — it’s the result of late-night spreadsheets, quiet self-doubt, research, and yes, more maths than most of us would ever willingly sign up for. And when you consider the bigger picture — the cost of being a true small business, a one-woman band with no safety nets — the $65 mug starts to look very different.

The Hidden Economy of Clay

Pottery isn’t just clay + glaze + kiln. Behind every mug are:

  • Raw Materials: Clay bodies, slips, underglazes, oxides, and food-safe glazes. Prices fluctuate with shipping costs and import tariffs.

  • Kiln Firings: A single glaze firing in an electric kiln can cost anywhere from $40–$100 in electricity, depending on size and load. Most mugs are fired twice.

  • Tools & Equipment: Wheels, kilns, trimming tools, banding wheels, kiln shelves, stilts — none of them cheap, all needing maintenance or replacement.

  • Studio Costs: Rent, electricity, insurance, public liability, packaging, website hosting, banking fees, accounting fees — the boring but essential backbone of running any small business.

  • Time: On average, a mug takes 2–3 weeks to make, moving through rolling, shaping, drying, bisque firing, glazing, glaze firing, sanding, and scrubbing before it even reaches my shelf.

When you divide the final price by the actual hours spent, most potters make less than minimum wage. And yet — we still do it, because clay isn’t just a job. It’s a calling.

The Myth of the Mug vs. the Reality of the Industry

In the age of $2 Kmart mugs, handmade pottery can feel like an indulgence. But those factory mugs? They’re mass-produced overseas, often under labour conditions we’d rather not picture. A $65 handmade mug isn’t competing with them — it’s offering something they never can: slowness, story, and connection.

The irony is, the “ceramic influencers” on Instagram — the ones with glossy studios and waitlists for their drops — have normalised higher pricing. Some charge $120–$150 for a mug, and their pieces sell out in seconds. They’re shaping the industry in real time, and whether you love or loathe the influencer effect, it’s shifted public perception of what handmade ceramics are worth.

But for many of us, it’s still a daily tightrope: charging enough to make a living, without pricing ourselves out of our own community.

Art in the Time of Rising Costs

Yes, groceries are expensive. Yes, interest rates bite. And yet — people are still seeking beauty, meaning, and connection. In fact, small luxuries like handmade pottery often hold their value in tough times because they remind us that not everything is about utility.

A $65 mug isn’t just a drinking vessel. It’s:

  • A small act of rebellion against the throwaway culture of mass-production.

  • A vote for sustainability and keeping craft alive.

  • A daily ritual that turns your morning coffee into something grounding, almost sacred.

  • And perhaps most importantly — it’s a way to support an actual human, not a faceless corporation. Behind every mug is an artist balancing childcare, gardens, grocery bills, and the full weight of running a business entirely alone.

The Real Question

So maybe the better question isn’t: “Why is this mug $65?”

It’s: “What does this mug give me that no $2 mug ever could?”

Because in a world where so much feels disposable, a handmade piece holds weight. It holds story. It holds time. And if you ask me — that’s priceless.

Until next time,
Nawsheen, your friendly homebody artist from Murrumbateman.

Nawsheen Hyland

Nawsheen Hyland is a passionate artist, potter, and storyteller based in the serene countryside of Murrumbateman, NSW. Drawing inspiration from the gentle rhythms of rural life and the natural beauty of her surroundings, she creates heartfelt, handcrafted pottery that celebrates the imperfect, the tactile, and the timeless.

As the founder of Whistle & Page, Nawsheen blends her love for slow craft with her deep appreciation for connection and storytelling. Each piece she creates carries a touch of her countryside studio—a place filled with golden light, soft gum tree whispers, and the occasional burst of laughter from her children running through the garden.

With a background in art and a lifelong love for creativity, Nawsheen’s work is a reflection of her belief that every day can be extraordinary. Whether she’s sculpting clay, writing heartfelt reflections, or sharing snippets of life in her cosy corner of Australia, her mission is to bring a sense of warmth and meaning to the lives of others through her art.

When she’s not at the wheel or tending to her garden, Nawsheen can often be found with a cup of tea in hand, dreaming up new designs or chasing the perfect golden hour light for her next project.

http://www.whistleandpage.com
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From Mastery to Aesthetic: What Does It Mean to Call Yourself a Potter?