Not Everything Has to Last Forever

When the dahlias bloomed this year, I almost missed them. They came all at once — a riot of crimson, peach, and blush swaying in the early autumn breeze — and then, as if they’d kept a secret appointment, they began to let go. One windy Tuesday, the petals loosened their grip, and by Friday, the garden was littered with soft, collapsing colour.

For years, I would have called that a loss. I would have clipped them earlier, tried to stretch their life in a vase, checked the weather app obsessively to make sure they lasted just a little longer.

I’ve always been someone who wanted things to last. The perfect mug without a hairline crack. The tomato vines that kept producing long after their season was over. The days with my children that I thought I could press between the pages of memory and keep untouched, forever.

But seasons — and pottery — have been teaching me otherwise.

Clay will break. Glaze will surprise you. Even when you follow the same recipe, it will sometimes drip in ways you can’t predict. The kiln gods and goddesses have their own moods, and not every piece survives the fire.

Life isn’t built to be preserved like pressed flowers. It’s meant to be lived through, moment by moment — not held in a jar on the shelf. And yet, there’s beauty in the ache of that truth.

The Japanese call it mono no aware — the bittersweet tenderness you feel when something beautiful is fleeting. The smell of rain on hot pavement. The way your dog’s fur changes as they age, soft puppy fluff turning into a coarser coat. The way your favourite cup eventually chips, and you’re left holding both the handle and the memory.

Maybe it’s not our job to make things last forever. Maybe it’s to love them so fully while we have them, that their impermanence becomes part of their beauty.

Now, when the petals fall, I let them. I walk barefoot through them, the grass damp and cool beneath me, and I think about how lucky I am to have seen them at all.

Until next time,
Nawsheen, your friendly homebody artist from Murrumbateman.

Nawsheen Hyland

Nawsheen Hyland is a passionate artist, potter, and storyteller based in the serene countryside of Murrumbateman, NSW. Drawing inspiration from the gentle rhythms of rural life and the natural beauty of her surroundings, she creates heartfelt, handcrafted pottery that celebrates the imperfect, the tactile, and the timeless.

As the founder of Whistle & Page, Nawsheen blends her love for slow craft with her deep appreciation for connection and storytelling. Each piece she creates carries a touch of her countryside studio—a place filled with golden light, soft gum tree whispers, and the occasional burst of laughter from her children running through the garden.

With a background in art and a lifelong love for creativity, Nawsheen’s work is a reflection of her belief that every day can be extraordinary. Whether she’s sculpting clay, writing heartfelt reflections, or sharing snippets of life in her cosy corner of Australia, her mission is to bring a sense of warmth and meaning to the lives of others through her art.

When she’s not at the wheel or tending to her garden, Nawsheen can often be found with a cup of tea in hand, dreaming up new designs or chasing the perfect golden hour light for her next project.

http://www.whistleandpage.com
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11 Years of Whistle & Page: A Handmade Business Built with Heart, Clay, and Courage

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The Cup That Holds More Than Tea